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Curating Contemporary Art (MA)

Aleksandra Anna Wojt

Between the Deep Blue

18 – 22 MAY 22

Presented by RCA MA Curating Contemporary Art Postgraduate Projects 2022, in partnership with Gasworks


Between the Deep Blue is an invitation to question how we can transform past traumatic histories into new ways of living and healing through a series of ocean-linked workshops and events held in an immersive space. 

Listen to the water singing the traumas it has been carrying for centuries, to the disappeared stories dragged into the darkness of the ocean. Listen to the forgotten voices and remember their pain. Remember the ones who used to be in this blue immensity. 

Carefully, try to catch the breath of the extinct silent mammal, the sea cow, rebirthing next door through Juha Pekka Matias Laakkonen’s replica of its skeleton. Activating the sea cow as a symbol of the ocean’s witnessing of traumatic experiences, Between the Deep Blue wishes to commune with the wounds of the triangular trade and its present legacies by linking Laakkonen's works to Alexis Pauline Gumbs’ text Undrowned (2020). Honouring the story of the mammal, Gumbs reveals how it was hunted until extinction within 27 years of its discovery as collateral from the colonisation of North America and the hunger for fur and blubber. 

The space is created in collaboration with North Carolina based artist Ambrose Rhapsody Murray and Slovenian sound artist Robertina Šebjanič.

Murray’s textile presented in the room is a new commission engaging with Gumb’s text and exploring migratory flows of people journeying through the seas and its ecological and historical impacts. Šebjanič’s sound piece enters into dialogue with Ambrose's aquatic works to amplify the feeling of immersion into water. Atlantic Tales (2020) is a musical composition sung in traditional Irish sean-nós style, addressing human and non-human oceanic migratory journeys in the age of the Anthropocene. In this multi-sensorial space, invite your body to rest and experience beyond the gaze, allowing senses to wash over you. Navigate in the themes addressed by Between the Deep Blue through the available books and texts. 

Through a series of workshops and events, the space becomes an invitation to actively dive into layered stories. An artist talk between Ambrose and Alexis, a meditation evening held by artist Laetisha Davine Lovelace-Hanson, the screening of Ella Frost, Soha Salem and Aisha Mirza’s film What you love too much to lose (2021) and workshop about more-than-human storytelling, and a plant-based photography development workshop offered by Kathryn Attrill, transform the space by sparking different conversations and providing tools to heal from past traumas and find new ways of living. 


Aleksandra Wojt is an independent curator and producer working on projects encompassing contemporary art, performance, dance and film. Within her practice, she puts a great emphasis on the conceptual inquiry of the project, predominantly building the ideas based on theoretical and philosophical notions. Thematically her work often incorporates the attitude, energy and philosophy of queer culture, reclamation of abandoned spaces, political resistance movements, contemporary and historical concepts of body politics and rave, pornography and marginalised aesthetic taboos. Her work is often realised in unconventional and abandoned spaces representing a collapsing and privatised society. What is more, she is predominantly interested in a process-based workflow and experimental, site-specific, ephemeral and conceptual art – which in its nature is more resistant to commodification and commercialisation. She finds herself returning to performance art as her dominant medium of expression in curatorial work and usually creates within non-institutional settings.

What recently became increasingly important to her practice is exploring different dynamics and modes of working between a curator and an artist. She is interested in fostering artistic experimentation and collaborative practices within the field of contemporary art with the curatorial work tightly associated with artist development, the notions of mutual support, agency for artists and the creation of long-term relationships with artists around the context of their work and its conceptualisation. Through this mode of working, she aims to explore how curating relates to the notion of representation, collectivism and beyond, questioning the structural conditions and institutional positions that in turn give rise to alternative curatorial approaches.