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Interior Matter

Giulia Sibilla

Originally from Italy, I am an interior designer with a strong passion for the relationship between spaces, feelings and well-being.

Before arriving at the RCA in 2020, I studied Interior Design at Politecnico di Milano, where I graduated in 2020 with an exhibition design thesis project.

By pursuing my MA studies in Interior Design at RCA, I had the opportunity to widen my perception of interior design by approaching it from different perspectives, such as artistic, sensorial or fantastic, giving me an opportunity to further explore the human sides of space.

What stimulates me the most to be creative, when developing a project, is the impact that interior design will have on the people experiencing the space. Hence, the choice of the Matter Platform was a way to challenge myself on how materials influence human perception and senses, as well as on how they impact on the environment.

Upon completion of my MA, my first choice would be to work on exhibitions and temporary experiential projects, with a particular interest in projects where design meets art and plays with all human senses, involving music, smell and tactile perceptions.

Show Location: Kensington campus: Darwin Building, Upper ground floor

Giulia Sibilla-statement

Abel’s Aroma Gallery is an experiential shop created to promote the perfume brand Abel. The project explores the interaction between materials and scent and how matter can tell the story of the brand, enhancing its main value of transparency and authenticity.

Abel is a company producing perfumes that are 100% plant derived, vegan and cruelty free and its main claim is total openness - sharing their full ingredient lists with their clients. The project is set in Coal Drops Yard, near King’s Cross in London. The site is two railway arches that on one side look onto a public square, while on the other face the Regent’s Canal.

The concept is to create an art gallery for smell with a series of material sculptures that pair with each of Abel’s fragrances. Customers experience the perfumes by smelling the sculptures, or ‘smell devices’. To find the right materials I made a series of explorations testing how well they retained and complemented the scents. It turns out that the more porous and softer materials perform well, while the more hard and non-porous don’t.

I also explored ideas of material transparency to connect to the brand’s value of openness, choosing materials that don’t hide what they’re made of.

Before encountering the main gallery, visitors are purified by passing through a cleansing space. For the main space itself I wanted to achieve visual purity to allow people to focus on the smell devices and their aromas.

Material explorations: Scent, media item 1
Material explorations: Scent, media item 2
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Material explorations: Material transparency, media item 1
space palette
space palette
smell devices palette
smell devices palette
Space , media item 1
front view
front view
nasal palette cleansing space
nasal palette cleansing space
first arch view
first arch view
second arch view
second arch view
secon arch view
secon arch view
Low embodied carbon strategy, media item 1
Low embodied carbon strategy, media item 2