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Illustration

Jingyuan Zhao

Jingyuan Zhao is an illustrator and a visual storyteller from Chengdu. She sees art-making as a process of constant connection with personal memory. Jingyuan’s practice explores how images and words function as two different important memory carriers, and considers how images and works do not have the functions of translating each, and how they present content using their own characteristics. 

Jingyuan has exhibited her works in the Illustration exhibition Fine! Art in Chengdu (2021) and the FA Fact series exhibition 9000 in Beijing (2019). A series of her illustrations for a publication in China has been short-listed for The 8th China Illustration Biennial (2022).

Show Location: Battersea campus: Studio Building, First floor

Jingyuan Zhao-statement

My practice is about exploring the wilderness. Wilderness has a deceptive concreteness at first glance. The difficulty is that while the word is a noun it acts like an adjective. Therefore, when we think about it, we might tend to think of wilderness as a place with wilderness characteristics. It might be located in a mountain, a desert, a forest, a lake, etc. However, no matter where wilderness is located, we inevitably view it with our personal knowledge, imagination, and emotional feelings about wilderness. It is because of this subjectivity that we are able to maximise our ability to define our own wilderness with our unique perceptions. Nash, R. F. (2001) said, “One man’s wilderness may be another’s resident picnic ground.” And where is my wilderness? And what characteristics does it have?

There is a patch of yellow, long-pole grasses in the central meadow of Wormwood Scrubs, London. As soon as I saw the grasses I was instantly drawn to them. I thought they had certain wild characteristics both primitive and chaotic. Most importantly, they reminded me of the wilderness scenes I had seen on my travels. The weeds in the cracks in the ground also evoked such a wild feeling when I walked through the streets of London. I wonder what makes these places interconnected? And under what circumstances does it inspire my wilderness emotions?

In Search of the Wilderness: Prologue, water colour on paper
In Search of the Wilderness: Prologue, water colour on paper
In Search of the Wilderness: Prologue, water colour on paper
In Search of the Wilderness: Prologue, water colour on paper
In Search of the Wilderness: Prologue, water colour on paper
In Search of the Wilderness: Prologue, water colour on paper
I saw,
something between backyard and garden,
something between chaos and order,
something between barbarism and civilization.


These paintings are about not just different physical places, but more symbolic of the emotion or imagination I have about wildness.


Medium:

water colour on paper

Size:

297mm x 210mm
In Search of the Wilderness: Diary, hand-made book
Launch Project
In Search of the Wilderness: Diary, hand-made book
In Search of the Wilderness: Diary, hand-made book

In this book, I documented my ever-changing thoughts on the relationship between man and nature from the past to the present in the form of a diary. These thoughts have greatly influenced how I define my wilderness, which is either physical or psychological.

Medium:

hand-made book

Size:

176mm x 250mm