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Experimental Communication

Luisa Hemmerling

Slide Photos, scanned slide photos, mold
Slide Photos, scanned slide photos, mold
Slide Photos, scanned slide photos, mold
Slide Photos, scanned slide photos, mold
Slide Photos, scanned slide photos, mold
Slide Photos, scanned slide photos, mold
Slide Photos, scanned slide photos, mold
Slide Photos, scanned slide photos, mold

A central part to my research is discovery. Finding as opposed to searching. These are slide photos that my mother discovered in our basement. Look at them. Put them on full screen. Can you feel your pupils dilating, switching focus? And then you see yourself. You might be surprised by the sudden recognition of yourself in something else. This is how I feel when I am in my basement, and this is how you might feel when you are in your basement. Confronted with a conversation between yourself and the other when suddenly you become one. 

Medium:

scanned slide photos, mold

Size:

5cm x 5cm
Found in the Basement, diverse
Found in the Basement, diverse
Found in the Basement, diverse
Found in the Basement, diverse
Found in the Basement, diverse
Found in the Basement, diverse
Found in the Basement, diverse
Found in the Basement, diverse
Found in the Basement, diverse
Found in the Basement, diverse

Finding objects subject to fermentation because they have been kept.

Medium:

diverse

Size:

diverse
Experiencing Molds, Lightly reflective resin coated metallic print

These pieces are molded around a cabinet found in the basement. The cabinet is shut with no key and no one is allowed to open it.

Medium:

Lightly reflective resin coated metallic print

Size:

3x 50x80

Luisa Hemmerling (me, I am writing this little text) is a practitioner from Berlin, Germany. She has a background in sociological communication theory, a largely theoretical study that greatly informs and influences her practice today. In her current work, she explores the idea of circumstance: a moment of a site-specific time in combination with the physical qualities of this site. She aims to foreground these concrete circumstances as an entity that touches her audience, transforming space into something you can feel.

Her practice is most exciting to her (if I may say so myself), when a conversation begins to happen between her work and the circumstance it is situated in. When the two begin to corrupt each other and become malleable in the face of the other. The work inhabits its context and the context inhabits the work. The work is both within and without, reflecting the fluidity of circumstance and a state of non-permanence.

Show Location: Battersea campus: Studio Building, Ground floor

Luisa Hemmerling-statement

This is an experience about a place that ferments our material culture and allows us to not only consume a point of time that lies in our respective past, but also the relationship between that incision and now. How do past and present meet when introduced to each other? Can they build a new presence that becomes communicable to an observer emotionally distant to the work? 

The pieces in this body of work explore a theoretical space that can become an interlocutor of many different relationships and form a new dialog between each of these relationships: Inbetween pasts and presents, closeness and distance, others and owns.

The work is a proposition to discuss the relationships between a present state and what caused it to become that way, regarding process as the pinnacle of creative output. Her practice aims at shifting discussion from the fringe of a creative process to its core in order to step closer to what fuels how and why we create.