Skip to main content
Documentary Animation

Mary Martins

Mary Martins is a British Nigerian animator, experimental filmmaker and researcher from London. She produces multi-layered and abstract documentaries which focus on socially engaged themes that represent the experiences of marginalised groups. She also uses animation to celebrate her own cultural heritage on the Yoruba tribe from Lagos, Nigeria. 

Before studying at the Royal College of Art, she has been working as an independent animator producing animated documentary, The Divide, 2017 which won the Procreate Projects Mother Art Prize in 2017 and artist in resident at The White House Dagenham. The Divide was exhibited at the 198 Contemporary Gallery and at UCL's Institute of Education FiLiA women’s rights conference. Her film was also awarded a special mention at the Factual Animation Film Festival in 2017.

In 2018, Mary was one of the eighteen animators selected for the BFI/BBC Animation 2018 programme where her film, Childhood Memories, 2018 was broadcasted on BBC four with a screening at the British Film Institute.

In 2021, Mary had a first solo gallery exhibition commissioned by The Thamesmead Arts and Culture Office (TACO) where she produced an animated experimental documentary that explored the Brazilian martial art, Capoeira with Greenwich community group, Grupo Muzenza.

She has worked as a lecturer in animation on the Foundation in Art and design programme at the University of East London and is currently an artist animator supporting a school in Barking on a funded project by the Paul Hamlyn Foundation, with incorporating creativity into their literacy curriculum.

Mary has delivered talks for the Queen Mary University at the V&A Museum of Childhood, Animate Projects’ Accelerate Sessions, Society for Animation Studies, and students on the MA Culture, Criticism and Curation programme at the University of the Arts London.

Her work has been selected at a variety of film festivals, including the Oberhausen International Short Film Festival 2022; British Shorts Berlin 2020; ŻUBROFFKA International Short Film Festival 2020 and the International Film Festival Assen 2019.

Mary was also the winner of the Creative Debuts, Black Artist Grant in December 2021.

Degree Details

School of CommunicationAnimation (MA)Documentary Animation

Show Location: Battersea campus: Studio Building, First Floor

head shot of Mary Martins

The dedication to my practice has led to the pursuit of unravelling my artistic identity, my passion for exploring themes that increase the visibility of those from under represented groups.

Alongside producing films that are social and community-engaged, I have a strong interest in the application of animation practice as research and am keen to contribute further to this field by exploring the relationship between participatory forms of animation and working multi-disciplinary across the field of architectural history and anthropology.

My research explores the spirituality in film, and my cultural heritage, which is currently under represented within the academic field of animation. Throughout my creative journey, I have experimented with my filmmaking through the application of various animation techniques. As my ideas developed, I naturally gravitated to working with celluloid, applying a minimal amount of digital effects and developing my own language of film. This has resulted in a mixed media and multi-layered approach to animating. I work philosophically, with a great deal of autonomy, especially when working with complex ideas. This method of practice continuously challenges my creativity, thus allowing my work to be understood as a fusion of both analogue and digital filmmaking techniques.

Currently, I am unravelling how architecture and oral history can sometimes be a representation of the decaying passage of time and stories told and yet to be shared. I incorporate documentary animation practice to find new forms of representation, exploring the world and my own lived experience. My experimental approach can be understood as playful and expressive collage of moving images and abstraction that encourage deep thought and reflection.

Image of Brixton outdoor Market
Brixton outdoor Market35mm colour film
Image of Southwyck House, Brixton
Southwyck House, Brixton
Image of director filming
Something More shoot, Brixton35mm colour film
Image of Southwyck House Community Hall
Southwyck House Community Hall35mm colour film
Image of Southwyck House, Brixton
Southwyck House, Brixton35mm colour film

Something More (trailer) is an experimental animated documentary that explores the causes of youth violence, and more specifically the impact of knife crime in London. Through the lens of a mother raising her 8 year old son in South East London, the film combines a variety of perspectives and stories from those that have been connected to the issue. The documentary engages with the epidemic on a deeper level. It endeavours to ignite further conversations that question both the criminal justice system and the current political climate, all of which point to youth knife crime as a symptom of a wider societal problem.

According to the cultural theorist, Mark Fisher (11 July 1968 – 13 January 2017), the quotation “it is easier to imagine an end to the world than an end to capitalism,” attributed to both Fredric Jameson and Slavoj Žižek, encompasses the essence of his book, Capitalist Realism: Is There No Alternative? (2009) Fisher points to areas such as climate change, mental health, and bureaucracy that can be highlighted to show the weaknesses and gaps in capitalist realism. 

Architectural spaces are cultural landscapes, but the evolution of London through gentrification is erasing this and deepening class division, placing greater emphasis on the increasing level of poverty. Working class areas are becoming more unaffordable for those that have always lived there. Although the London Borough of Hackney’s housing during the 1990s and 2000s was connected with deep poverty, structural decline, anti-social behaviour and other socio-economic problems, it was, however intertwined with a sense of community spirit.

Regeneration has pushed forward a socio-economic and cultural shift in many other parts of London such as Brixton and Woolwich. Regeneration in many London Boroughs are having a negative impact on existing the younger generation that are struggling to co-exist in these areas. Councils are no longer investing in community centres and existing centres are struggling to remain open. 

Organisations such as, Art Against Knives, 4Front Project and Youth Futures are offering suppport to the local community, encouraging the younger generaration to learn skills that will provide them with a better future. 

The film was produced in consultation with the rehabilitation organisation, Key4Life; Bruce Houlder, a retired crown court judge and founder of Fighting Knife Crime London. Additional contributors include, Dr. Elaine Williams; lecturer in Criminology and youth worker at Power the Fight and current youth worker, Franklyn Addo. 

Medium:

16mm footage, scratch film, 2d hand-drawn, 2d digital, phytogram

Size:

4:36

RCA Black African Scholarship

In 2021 RCA acknowledged that there was a lack of Black African and Caribbean student representation within the institution. Marginalised groups have historically been at a disadvantage within the creative sector. I am hopeful that this scholarship and the Frank Bowling Scholarship from 2022 will begin to make a difference. I am grateful to the RCA for giving me this opportunity to develop and continue my creative journey.