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ADS1: Life Unincorporated

Matthew Warrenberg

Matthew is an architectural designer based in London. His interests lie in architecture which has room for multiplicity and appropriation, designed through a playful approach – resulting in socially and materially attentive designs. His project this year explored the potential adaptability of an air-rights office, seeking opportunities which could be unlocked from existing conditions to better serve the public and make intergenerational connections.

Prior to the RCA, Matthew completed his undergraduate degree at Newcastle University in 2019, where he won the RIBA North East and Yorkshire award Part 1 award. He has since worked at David Chipperfield Architects and BUF architecture. He worked on a range of projects, varying from the adaptive reuse of both a museum and a farmstead to a 28 storey office tower. 

Show Location: Kensington campus: Darwin Building, Upper ground floor

Matthew Warrenberg-statement

The project is reappropriating Embankment Place as an intergenerational hub. The 1980s corporate office building (designed by Terry Farrell) was constructed on the air rights of Charing Cross station in central London. It was built on a previously unattainable part of the city – the air – only for financial profit, and only possible due to modern construction methods. The proposal reimagines the site for public use, opening up the building through a process of removal. A generous thoroughfare is carved out through the building, connecting the recently dubbed ‘Northbank’ and the Southbank. Above, are programmes serving the young and the old, who are usually forgotten about in the city or deemed unproductive. These programmes revolve around care, recreation and education.


The project is set in a future scenario where large city centre corporate offices have become disused and obsolete. Nearly all white-collar computer based work is now carried out remotely in a virtual office – from the convenience of bedrooms, garden offices or abroad. Online platforms have become substitutes for what community and connection was once cultivated in the physical workplace. In this speculative situation, there is an eventual shift in attitudes towards work, leading to unsustainable and unhealthy, metric based productivity no longer being prioritised. Alternatively, more importance comes to be placed upon the real, as well as the less easily quantifiable aspects of society, which foster health, well-being, care and education.


The proposal manifests itself with three key architectural strategies, which treat the building as a valuable resource to be maintained.

1. Make the interior match the expressive gestures the façade makes to its context.

2. Exploit the potential of the bridge-like structure by stripping back the interior, then removing and cutting away material to make new meaningful connections.

3. Reuse excess material removed from the building to construct new spaces and landscapes inside and outside the building.

Existing condition, media item 1
Existing condition, media item 2
Existing condition, media item 3
Existing condition, media item 4
Beginning and end of the line, media item 1
Beginning and end of the line, media item 2
Beginning and end of the line, media item 3
Beginning and end of the line, media item 4
Opportunities for reuse, media item 1
A circular opening seen from across the river is seemingly cut out from the façade
A circular opening seen from across the river is seemingly cut out from the façade
The hanging column and luminaire fixing has been designed so as to exaggerate the space beneath it
The hanging column and luminaire fixing has been designed so as to exaggerate the space beneath it
A staircase cascades down to the plaza beside the market hall entrance
A staircase cascades down to the plaza beside the market hall entrance
The large mass of the climbing wall descends through the building and floats just above the floor
The large mass of the climbing wall descends through the building and floats just above the floor
One continuous surface stretches from the ramp to the plaza, intersecting the existing
One continuous surface stretches from the ramp to the plaza, intersecting the existing
The expansive, stepped south atrium opens up to the vaulted roof
The expansive, stepped south atrium opens up to the vaulted roof
Small, circular curtained off spaces are dotted across the library for privacy
Small, circular curtained off spaces are dotted across the library for privacy
Level 4  —  Library, workshop and swimming pool
Level 4 — Library, workshop and swimming pool
Level 5  —  Retirement flats
Level 5 — Retirement flatsThe dwellings are arranged around the outside, whilst shared spaces surround the two atriums
A generous staircase connecting two floors replaces a removed beam
A generous staircase connecting two floors replaces a removed beam
The garden creeps down into the hospice courtyard, offering some greenery and respite for the inhabitants
The garden creeps down into the hospice courtyard, offering some greenery and respite for the inhabitants
A recreational area spans multiple floors via specific cuts
A recreational area spans multiple floors via specific cuts
Level 7  —  Hospice, nursery and recreational area
Level 7 — Hospice, nursery and recreational areaAlthough far from the ground, this floor connected to its environment through the semicircular courtyard which is open to the elements
The top floor is devoted to a public garden, but mostly used by the inhabitants of the building and visiting children
The top floor is devoted to a public garden, but mostly used by the inhabitants of the building and visiting children
In the garden are different constructed landscapes, varying from raised beds, to a water pool and mound
In the garden are different constructed landscapes, varying from raised beds, to a water pool and mound
A walkway wide enough for hospice beds, protrudes out to an intimate retreat, which was once a conference room
A walkway wide enough for hospice beds, protrudes out to an intimate retreat, which was once a conference room
Journey through the building, media item 17
Contextual impact, media item 1
Contextual impact, media item 2
Contextual impact, media item 3
Contextual impact, media item 4