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Arts & Humanities Research (PhD)

Miss Melanie K King

Ancient Light was born out of a desire to capture light from distant stars directly onto photosensitive film. Distinct from photographs of terrestrial objects, light travels for thousands, if not millions, of years before reaching the lens. To me, these images demonstrate the intimate material connection between humans, the landscape we live in and the space existing beyond our atmosphere.

We are intimately connected with the stars, within the materiality of our being. Human life finds its origin within the stars. Astronomers have found out that elements such as calcium within our bones, were made during explosions of massive stars. Tracing such material origins connects us, not only to our human brothers and sisters, but to non-human beings such as plants, animals and micro-organisms.

Thinking as an interconnected planet, rather than as individual selves and separated states, allows us to consider the affect we have on beings surrounding us.


Miss Melanie K King-statement

Melanie King is a working class artist and curator, originally from Manchester, UK. Melanie is now based in Ramsgate, Kent, UK.

She is co-Director of super/colliderLumen Studios and founder of the London Alternative Photography Collective.

She is currently Artist In Residence at the School of Metallurgy and Materials at The University of Birmingham, from Feb 2021 to September 2022. 

Melanie King is a graduating practice-based PhD Fine Art student at the Royal College of Art (2015-2022).

She is Lecturer In Photography at Canterbury Christ Church University.

Melanie is interested in the relationship between the environment, photography and materiality. Melanie intends to highlight the intimate connection between celestial objects (sun, moon, stars), photographic material and the natural world. Melanie is currently researching a number of sustainable photographic processes, to minimise the environmental impact of her artistic practice, informed by the Sustainable Darkroom movement.

Her PhD practice-based research "Ancient Light: Rematerialising The Astronomical Image" considers how light travels thousands, if not millions of years, before reaching photosensitive film or a digital sensor. Her main body of photographs “Ancient Light” comprises  of analogue photographs of star-scapes, as well as a series of images created using telescopes and observatories around the world. 

Her practice-based research has taken her on a journey far and wide, including collaborative projects with the UCLO Observatory in London, Kielder Observatory on the border of England and Scotland, the Laboratory for Dark Matter Research in Boulby, UK and the EU Commission in Ispra, Italy. Melanie has participated in residencies in Iceland, Italy, Spain, Ireland, the Lake District (UK) and Cornwall (UK) to spend time underneath the night sky. For her research, she has also analysed analogue astronomical specimens within the UCL Space History Archive and the Royal Astronomical Society in London. Further afield, Melanie has visited the Mount Wilson Observatory, Carnegie Archives and Hale Solar Laboratory in California, USA as well as the European Space Agency in Leiden, the Netherlands.

Melanie's 2021-2022 project "Precious Metals" considers the materiality of silver and palladium, from the production of silver and palladium within the cosmos, extraction from Earth and its uses within our society. This project focuses on their use in photography, suggesting methods of using the material that is less harmful to the ecology of the Earth.

Recent work has been inspired by Melanie's move to Kent, UK, where she is in close proximity to dark skies, dramatic sunsets and a tumultuous sea.