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Painting (MA)

Nora Neagoe

Nora Neagoe is an artist born in Romania, currently based in London. She graduated with a Bachelor’s in painting and printmaking from Virginia Commonwealth University, in the United States. Her work has been shown in multiple group shows in Romania, Shanghai, the United States, and London. Her first solo show was in 2019, in Richmond, Virginia, United States. She was part of the digital group show of the graduating year of 2020 of Virginia Commonwealth’s University School of Art. One of her paintings was featured in the exhibition “Colour Boom” at Boomer Gallery in London in 2020. She also took part in the group show “Coping in Colour” at RuptureXIBIT, in London in 2021 and "Come One, Come All" at The Function Suite Gallery in London in 2022. Her work will also be exhibited at RuptureXIBIT later in June 2022 in the show " What is becoming us".

 Nora is currently completing her Master's at the Royal College of Art in painting.

Show Location: Battersea campus: Painting Building, First floor

Nora Neagoe-statement

My practice revolves around the idea of beauty in social media. The concept started with an interest in surveillance, and how this impacts our world right now, which automatically went to social media. I focus on beauty standards in women, as they are the most affected by surveillance, control and invasion of privacy. I started this representation by thinking of fish eye views and peepholes. In the paintings, the heads are shown as bigger in the foreground and the bodies smaller in the background. Bringing discomfort to the viewer, the figures look innocent but also wanting the attention of the viewer, through warm and pastel colors, that represent the purity of the bodies. The figures also look as if they will step out of the canvas, invading the privacy of others. In my latest work, I am focusing more on the high heels and the legs of the women, as they are seen as the etiquette of femininity.  The bodies look distorted, such as the filters on social media change the bodies, showing a different version of the person. I am using suede and leather pieces on my paintings, sewing them onto the canvas, pushing my comfort zone of painting only, wanting to work with mixed media. 

 Thinking of desire and innocence, I made paintings of groups of girls, painted in pastel colors but also colors such as green, magenta and cobalt blue. The women are shown as objects of observation but also them looking at each other and at the viewer, creating a sense of discomfort. For my latest paintings, I took inspiration from the fashion world and brands like Mugler and Balmain, with elements of futurism and sci-fi. I experimented in changing the color pallete , creating a mirror like effect in the background of the painting, or a metallic surface.

 Interested in the idea of stage and theatre, I made ceramic shoes from air-drying clay, acrylic and varnish for a glossy finish. These shoes are inspired by the Versace 80’s shoes, which represent a statement of the fashion scene and also of femininity, as presented by society. I added plinths with similar patterns like the shoes, so they match them perfectly. These latest elements bring a comical feeling to the work, making it more playful and in a way, hiding what the work is really about.

The Door of the Garden Room Opened, Increasing the Dim Illumination, Oil on canvas

Medium:

Oil on canvas

Size:

122 x 152 cm
Leave Room to Breathe, Oil on canvas
Leave Room to Breathe, Oil on canvas
Leave Room to Breathe, Oil on canvas

Interested in distortion , these figures are now distorted from their reflection. In the first piece, "Leave Room to Breathe" the figures are laying on the surface and creating a reflection or just being seen as one. The effect created is that one figure is looking at the viewer from above but the figure is just a reflection of a person that cannot be seen in the painting. The view of how we see the female figure is distorted, not knowing exactly what is the truth.

 The second painting goes together with the first one, they are supposed to be seen as mirroring each other, because of the grey and blue tones, that look metallic. This time, the figures are not looking at the viewer or each other, the only connection they have to each other is the hand that is over the blonde girl's body.

Medium:

Oil on canvas

Size:

120 x 120 cm
Ran by the World, Oil and leather on canvas
Ran by the World, Oil and leather on canvas

In this work, I am interested in the legs and high-heels and the women, which have been the emblem of femininity and power throughout history. I chose the dimensions of the canvases to be almost human size, to create discomfort to the viewer. I also added pieces of leather that I sewed into the canvas to experiment with different materials and give them a doll-like effect. I added string that would pop out from the leather and the rest of the painting, for a voodoo-doll like effect. The head is in the background or nonexistent, showing the marginalization in an inferior position, making the bodies simple objects.

Medium:

Oil and leather on canvas

Size:

200 x 100 cm
Lady Marmelade, Oil on canvas

A tremendous change came in the early ’60s when sex was not a taboo fact anymore. “Lady Marmelade” relates to those years. Joy, happiness, bright colors, uninhibited movements, lascivious positions that are hidden from the outside eye, stories about female secrets, small gossip, and an unruly atmosphere. By adding corsets to the women, I was able to represent them in lingerie, without showing the body. The work is provocative but also does not show too much.


Medium:

Oil on canvas

Size:

152 x 122 cm
Glitter and High-Heels, Oil on canvas

Medium:

Oil on canvas

Size:

122 x 152