Qi Hu

About

Qi Hu is a multimedia communicator based in Chengdu and London. 

She is passionate about finding subtle, poetic connections in nature, sensory experience, materiality and temporality. In addition to this she wants to become a master of plant raising.

Statement

During this year, It has been important for me to further explore our consciousness and our perception of time. This is often confined to clock hands or numerical measurements, therefore neglecting the natural temporal cycles that exist, as well as the flow of matter through space and time.

The ontological time lag is embodied in the movement, behaviour and reactions of humans and plants. If we measure our own time scale by the second hand, is slow plant time measured by the hour hand as the smallest unit? Do the rhythms of growth that exist in the human body that cannot be observed in real time - organ changes, nail growth, hair covering the eyes - operate on a similar time scale as the tulips that gradually raise their heads up, and the vines continue to climb?

Through the two parts of the study of morphology and temporality, some fleeting sense of the feeling of connection to nature and the ‘plant-hood’ in us, is what I would like to bring to the audience.

HERITAGE

The soil nurtures humans and plants, and we are all root beings.  Gradually our connection has degraded and humans began to think of plants as near-inanimate creatures. Our tendency to equate behaviour with movement keeps us from appreciating the vitality and sensitivity of plants, and the different temporal rhythms that they exist in. A separation appears, the integrity of plants is disrespected; and intervention, harm and domestication follow.

This is a moving image installation with two parts, showing that similarities also exist between two seemingly vastly disparate species - humans and plants. The journey begins with the similar skin morphology of the two species generated by the neural network and delves into a discussion of the respective rhythms of time that exist within and outside of human consciousness. The aim is for people to find our 'plant heritage’ - to mediate on our perception and our relationship to plant life.

Medium: mixed media

Size: 150x165cm

HERITAGE/ Part1 Skin

Inspired by Isomorphology I started by observing the morphology of plants, to the point where I scanned the skin of plants with a microscope and found that they all had a similar textural structure to “fuzz, flecks and wrinkles” in the human context.

I trained a generative adversarial network model to connect and blur the colour differences between the humans and the plants' skin, multiply similar textures. Finally they are made into soft sculptures to simulate the limbs of people and plants. This is an attempt to reconnect people and plants.

Special credit for helping me with the soft sculpture:

Jiangmeiling Xu, Baowen Mai

Medium: moving image, soft sculpture

Size: 1'20''

HERITAGE/ Part2 Temporality

Our tendency to equate behaviour with movement keeps us from appreciating what plants can sense and do; plants are always still in people's sight.

Here I divide the temporal rhythm into two parts, inside and outside human consciousness, and also the differences and similarities in temporality between humans and plants: the 'still' plant in our consciousness versus the human being in motion at all times (the difference). The slower growth time of hair and nails as well as plants outside of our consciousness(the similarity). They are projected on the surfaces of two ordinary clocks and two clocks shaped around the "root" (the original human form attached to the umbilical cord / the root of the plant).

The different numbers of hands rotating on the clock face visualize how our innate sensorial apparatus perceives the images that are projected on the corresponding clock face - You don't immediately notice the movement of the minute hand and the hour hand, unless you drag the video progress bar back and forth, just as you don't always notice the rhythm of 'growth time' outside of your consciousness.

These slow rhythms similar to plant temporality are also exist in our bodies, so please try to understand that the slowness of plants just means slow - it doesn't mean that they are inanimate or insensitive.

Medium: Paper mache sculptures, moving images

Size: 30x165cm

Bye ^ ^ 886

Thanks for browsing.

Medium: Photography

Size: Variable