Between the Deep Blue is an invitation to question how we can transform past traumatic histories into new ways of living and healing through a series of ocean-linked workshops and events held in an immersive space.
Listen to the water singing the traumas it has been carrying for centuries, to the disappeared stories dragged into the darkness of the ocean. Listen to the forgotten voices and remember their pain.
Remember the ones who used to be in this blue immensity.
Activating the sea cow as a symbol of the ocean’s witnessing of traumatic experiences, Between the Deep Blue wishes to commune with the wounds of the triangular trade and its present legacies by linking Laakkonen's works to Alexis Pauline Gumbs’ text Undrowned (2020). Honouring the story of the mammal, Gumbs reveals how it was hunted until extinction within 27 years of its discovery as collateral from the colonisation of North America and the hunger for fur and blubber.
The space is created in collaboration with North Carolina based artist Ambrose Rhapsody Murray and Slovenian sound artist Robertina Šebjanič. Engaging with Gumb’s text, Murray’s textile presented in the room explores migratory flows of people journeying through the seas and its ecological and historical impacts. Šebjanič’s sound piece enters into dialogue with Ambrose's aquatic works to amplify the feeling of immersion into water. Atlantic Tales (2020) is a musical composition sung in traditional Irish sean-nós style, addressing human and non-human oceanic migratory journeys in the age of the Anthropocene. In this multi-sensorial space, invite your body to rest and experience beyond the gaze, allowing senses to wash over you.
Through a series of workshops and events, the space becomes an invitation to actively dive into layered stories. An artist talk between Ambrose and Alexis, a meditation evening held by artist Laetisha Davine Lovelace-Hanson, the screening of Ella Frost, Soha Salem and Aisha Mirza’s film What you love too much to lose (2021) and workshop about more-than-human storytelling, and a plant-based photography development workshop offered by Kathryn Attrill, transform the space by sparking different conversations and providing tools to heal from past traumas and find new ways of living.
This public programme is curated by Antoine Schafroth, Mattie O’Callaghan, Jeanne de La Masselière, Weiduo Liu, Isabelle Lily Cain, JinYao Wang, Aleksandra Wojt, Carianne Annan, from MA Curating Contemporary Art Programme Royal College of Art as part of the Graduate Project 2022, in partnership with Gasworks.
