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Environmental Architecture (MA)

Donghao Xie

Donghao Xie, a digital artist, and environmental architect like to realize his thesis and imagination, and think through virtual and physicality. His works involve painting, virtual scenes, writing, performance, and installation art, showing a vision of the future and exploring the symbiotic relationship between society and the ecosystem that nourishes us.

Donghao Xie-statement

As the impact of humans on the planet becomes too great to ignore, from external environmental destruction to the crisis of human perception, it becomes especially important to create an alternative perspective in society, which requires us to reconsider our relationship with the environment, non-humans, and our view of being human. Are we human? What are the differences and similarities between humans and non-humans? This thesis intends to confront anthropocentrism by questioning our long-established perceptions of non-humans from the perspective of our close human relative, the orangutan, before transitioning to other non-humans in the ecosystem, recognizing that they have the same values. This thesis makes use of theories of ‘kinship’ and ‘Vitalist Materialism’ to discover what humans have ignored from apes and how to see life (other nonhumans) better, and propose a hypothesis:

Through the cultivation of Assemblage Thinking or Response-ability in our mind and body, humans may pay more attention to and respond to the different narratives of other species or non-humans, leading to changes in human intentionality, behavior, and a cultural ratchet effect through cooperation and cultural learning. This promotes more ‘Ecological Sensitivity’ in body and mind, which is like an abstract evolution that can heal and balance our fragmented worldview.

Through this project, I chose Ecological performance and some Experimentations to transcend my own limitations of perception to achieve more ecological sensitivity and develop my Assemblage Thinking to respond to other entities, documenting the process through drawings and films.

The main character is a creature trapped on the edge between human and non-human, finds himself in a natural world of loss of perception and exhaustion, and constantly questions himself.

Are we human? What are you looking at? I held up the sign, I mean, we need to reconsider our perception of being ‘human’, Is there a need for another perspective on the relationship between humans, society, and the planet? I will argue that the answer is in humans’ need to return to animism, to materiality, to animality and that currently, we are far off track.

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00:02:23
A Cultural History of the Orangutan
A Cultural History of the OrangutanThroughout the orangutan's cultural history, For four centuries, scientists, philosophers, writers, and dramatists have struggled to determine the nature of the differences between orangutans and humans.
Muti-Species meeting, DW, 2021
Fight for an environmental justiceSince the 1970s, animal rights theorists have argued that orangutans are sentient beings and should be considered part of the moral community. This means that humans can't think only about how to treat them, but must communicate deeply and listen to how they want to live. Even orangutans can be a representative in ‘Multi-Species meetings’.

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O Human's Experimentions

However, we need to know other parts of the ecosystem, other non-humans, which are inseparable and have the same value. I intend to use the theories of ‘Vitalist materialism’ and ‘kinship’ to give a new understanding of the human being, where humans not only focus on anthropocentric opposites, but also value and observe other non-human narratives and respond to them.

Creating and discovering more stories will be more illuminating than criticism. Therefore, I chose to create experiments and performances in the city, zoo, and forest to gain more ecological sensitivity, developing my affordances to identify other things, and documenting the process.

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00:05:26

Vitalist materialism, brings us to a new vision, if life is seen as an event, an assemblage, a changing substance, a capacity of things, humans' behavior, imagination, and intention will be changed.

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00:01:21

Human is like an intervener, and some human instincts need to be reawakened, and human intentions and agents are seen as a pile of vibrant matter

Assemblage Thinking, the development of response-ability in human perception, promotes behaviors that create more connections and stories in this assemblage, and creates a cultural "ratchet effect" that leads to the gaining of more Ecological sensitivity, I called an abstract "evolution". I am going to present a short performance to show.

Thus, there is my understanding of environmental architecture, more like the act of human agency in an original coexistence model will form a new symbiosis with other non-humans.From our perspective and position, our skin and breath, each of us entwine together in this broad consciousness born of "environmental architecture" and become more diverse. the pink lines can be seen as responding and connection.

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00:04:12
Texture Fitting, Breathing Feet
Texture Fitting, Breathing Feet

Hand drawings, annotations, stories and responses.

The practicing skills are not rules, definitions, not closed, but represents an openness, different ways we humans respond to other nonhumans in our daily lives, and a way of practice by which we all can imagine the new stories and responses.

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Book