Boyuan Wang was born in Zunyi, China in 1998. He graduated from Central Academy of Fine Arts with a BA in printmaking in 2020. His works have been exhibited at China Printmaking Museum in Guangdong, Yachang Artistic Centre in Beijing, Southwark Gallery in London and Air gallery in Manchester. Now he lives and studies in London.
Boyuan Wang
Humour and incongruity play a big part in my practice. Through engaging with them, I reflect on my thoughts, break the social constraints, and formulate new questions.
According to the superiority theory of humour, feelings of superiority bring about laughter. This enables me to mock some social phenomenons and to rethink the legitimacy of human behaviours. such as the absurdity of anthropocentrism, we take ourselves too seriously but sometimes forget we’re only standing on our own perspective.
According to the relief theory of humour, laughter appears when you feel relief from tensions, I adapt this in my drawing, these creatures in my drawing are farting, picking nose and exposing their sexual parts. These fantasies help me release tension from our social constraints, the sexual repression and underlying social etiquettes.
According to the incongruity theory of humour, humour appears when things violate our normal expectations. This makes me question the rationality of normality. Such as the normality of gender, beauty standards etc. I challenge the standard usage of different mediums, the apple plushie is not only cute but also erotic, in addition, it’s androgynous rather than single-gender.
By putting irregularities in regular situations and combining them with some harmless jokes. I’m questioning the world through my practice, finding new excitement and meaning.