
Franziska Windolf

About
BA HFBK Hamburg, GER. 2018
MA Sculpture RCA London, GB. 2022
Franziska has a multi-fragmented sensation towards reality. This sensation sparks works that are playful and propositional in their reshaping of relationships between people and objects. Franziska's practice explores how fragmented actions can break up hierarchies and the inertia of space and matter. This endevaour to her feels like fixing things, or gambling with aesthetics. By cross-connecting disparate textures from specific sites, associated research and contexts, poetic figurations emerge. These are currently composed of text, often reappropriated imagery or photographs, and a textile body.
Degree Details
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Statement

Franziska’s graduation work For Monument’s Sake disassembles the monumental into a patchwork. Once the word patchwork is broken down into patch and work, a flat pierced textile, historically associated with the domestic economy, can be understood as fragment and action. For Monument’s Sake therefore has a performative character, fragments in action, patches at work. The Watts Chapel in Compton and the public sculptures Little Albert and Physical Strength in Hyde Park, embodiments of patriarchal oppression and colonial imperialism, still affecting our present, are reshaped into textile creations. Together with the group of artists, the monuments become fused into a matter which can be approached, remodified and commemorated as something vague, fragile, arrogant and at the same time humble.
For Monument’s Sake consists of a sculpture momentarily composed for the show, sculpture garments and a durational performance which animates the core of For Monument’s Sake.
For Monument’s Sake was created together in parts with Alexa Chow (garments), Amelia Cullen (intervention), Sofia Sanchez (intervention) and Leonid Hrytsak (intervention, images), who will also be performing and interacting with the audience.
This page shows a dissected, digital version of For Monument’s Sake. To experience its physical presence, please visit the show in Battersea or see the documentation of its full assembled physical state on my website later: https://assembliesofimaginatives.com/For-Monument-s-Sake
Excerpt patchwork 2021/2022
1 Draft for patchworked coats. Collage based on site-visit at Watts Chapel, Compton, UK, 2021.
2 Space Wandering with artwork in public space, revisiting Little Albert. Hyde Park, London, 2022. Size: 176x117x5cm. Materials: Print on textile, cardboard, foam clay, thread, metal. Image: Leonid Hrytsak.
3 Intervention with Sofia Sanchez on Physical Strength sculpture by J.F. Watts. Hyde Park, London, 2021. In dialogue with Leonora Carrington. Materials: C-print on paper. Size: 800x20cm.
4 Creation of a genderless centaur-like unity between the 3 elements horse-rider-plinth. This is to question notions of verticality and stability, as well as depictions of the human-animal power (subdue and rule) relationship. Materials: Digital collage. Size: variable. Together with Leonid Hrytsak.
5 Massively Multiplayer Role Playing Game. 2021. Materials: C-print on paper, pen. Size:59,4x42cm.
6 Hero crumb. 2021. Materials: Aluminium, marker. Size: 22x17x13cm.
7 There are many called XXX. Hand-modelled wax figures by Amelia Cullen and Franziska Windolf.
8 Star Tourist. 2021. Materials: C-print on paper, pen. Size: 56x51cm.
9 Tenable Them. 2021. Intervention on Physical Strength sculpture in Hyde Park, London. Digital Image.
10 Untitled. 2021. Digital collage. Draft for public artwork. Image credit: www.africaranking.com
11 Albert flounder. 2021. Material: Print on textile, leather jacket, selfie stick. Size: 176x117cm.
12 Handkerchief. 2022. Together with Alexa Chow.
13 Leonoracle. 2022. Material: Gold plated bronze. Size: 13x8x5,5cm
14 Leaflet. 2022. Material: Print, fabric. Size: 1,60x60cm.
15 Shawl 2. 2021. Digital collage. Image credit: www.wattschapel.org.uk
Patchwork 2021/22
For Monument's Sake
Preview Graduation Show (details)